My Landscape...
One of my most frequently asked questions is 'How did you come up with the idea to make pictures out of metal?' On visiting my studio it becomes clear how directly I have been influenced and inspired by my immediate landscape. I frequently uncover beautiful rusted sheets of tin, old quarrying tools and machinery that find their way into my next Metal Picture.
New Work...
This recently completed piece was made for this years Delamore arts exhibition. It is one of a series of four pieces exploring depth and a slightly different way of constructing the panels. 'Winter Light through the Window' (46cm x 44.5cm SOLD)
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'Find the Time'
A commission in 2017 from the National Trust at Trelissick house in Cornwall for their 'Find the Time' exhibition, telling the story of the house and it's inhabitants. My brief - A portrait of Margaret Lawrance.
The first picture of 2018!
The blue that I use in my metal pictures is copper from old boilers. Sometimes when I cut into them, they have limescale build-up which has oxidised and created wave forms in a beautiful range of verdigris colours. However, most of my seas come from me exposing the copper to an environment of salt and ammonia. This first piece of the year incorporates a sea that was exposed to that environment through a layer of fabric - I was so pleased with the result - this rich, textured indigo blue has much more tonal variation than my usual recipe...
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Our Tiny Home
We love living in our self-built Shepherds Hut!
'Indeed we began to wonder why anyone should ask for a house with more than a couple of rooms. Ours seemed so easily run and demanded little of the time one would have preferred to spend out of doors.' from Island Years Island Farm by Frank Fraser Darling 
In the Forge...
In 2010 my studio was a derelict building. Over the last eight years I have slowly renovated it, laying floors, cleaning and insulating the interior to provide myself with a (nearly!) comfortable workspace. As my needs as an artist have changed, and following the evolution of my work from Blacksmith to Artist, the forge interior has also had to evolve and adapt. 2018 has seen me building a partition wall to divide my workspace– half metalworking shop for the early stages of picture making – and half exhibition and studio space so as to have metal landscapes permanently on display as well as works in progress.
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'I am leaning on the gate, and suddenly it is as though I had all day to do that and nothing else, or anything else, to stare at butterflies, at clouds. But it is not so, it is the attitude of leaning on the gate, familiar and easy, that induces the idle mood, looking out upon the passing world.'
from Apple Acre by Adrian Bell.
from Apple Acre by Adrian Bell.